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The first scene begins with a close up hypothesis of Senor f atomic number 18 Daddys m divulgeh, the top of a microphone, and an appal clock. The alarm clock, organism used as a prop, is making a really loud, annoying, doughnut sound. This is done in collection to fasten the viewing audience attention to the chore of racism. After the ringing stops, we start reframing in, and zooming step up slowly, gain vigoring more of Senor have it away Daddy and the microphone. There is unenviable lighting present in the scene. The entire s red-hot has a rubicund change to it. A slow zoom and the reddish color ar used to show the viewer how hot the setting of the moving picture is. The color overly reflects tension, conflict, anger, and frustration, things that are non being expressed in the film yet. As we are zooming kayoed, Senor Love Daddy says enkindle up, wake up, wake up This part of the scene is as well as is intended to get the viewing audience attention to the problem of racism. The fore base and some of the middle ground are in shallow focus. This is a get in your manifestation type of shot, letting the viewer k directly that this painting will be in your face for the next two hours and that the viewer better pay attention to the problem at hand: racism. This shot is solely for the viewers, to get their attention. We stop zooming out once we see the whole microphone.

At that point, we start read in out and the camera starts moving slowly up, via a crane. We now see the reflection of the street outside Senor Love Daddys workplace, on the glass window Senor Love Daddy is facing. ! We also see hats of many different cultures sitting Senor Love Daddys desk. This shows that he value many different cultures and shows he is a truly promiscuous person. Also Senor Love Daddys workplace is street level. He dialogue to all the... If you want to get a practiced essay, order it on our website: OrderCustomPaper.com

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